NY Through the Lens - New York City Photography

Stone Street Historic District. South William Street. Financial District - New York City.

Something I absolutely love about New York City is that tucked away between the towering monuments of modernity that populate the cityscape are streets that look as if they have been transported from another era and geographic location entirely. These streets are suspended in time like flies in amber.

This area is known as the Stone Street historic district in lower Manhattan. Bound by Stone Street, Pearl Street, and South William Streets and Mill Lane, it is a section that is unlike any of its surrounding blocks. This particular section is bound by South William street and 13-15 South William Street can be seen in this particular view. Around the block from this part of the area are other historic buildings and the Stone Street area ‘proper’.

In 1903, the architect C.P.H. Gilbert designed new street facades on the buildings in this section of South William Street (57 Stone Street on the other side). Gilbert’s neo-Dutch Renaissance architecture features structural details like stepped gables and strapwork and was a nod to the early settlement of Manhattan.

This area which dates back to the 1600s when New York City was first colonized by Dutch settlers was sadly destroyed by the Great Fire of 1835. The surrounding section of Stone Street was rebuilt with granite bases of post-and-lintel construction and upper-additions of brick which were specifically erected for importers and merchants.

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Early Sunday morning on Orchard Street. Lower East Side. New York City.

On cold city mornings, birds pepper the bone-white sky with movement.

And through the haze left over by clouds caught in the scuffle between autumn and winter, the wind rushes through the streets like the ghosts of yesterday’s thoughts.

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Urban decay and graffiti on Canal Street. Chinatown, New York City.

New York City changes and evolves at a rapid pace. In certain areas, changes occur faster than others. Lower Manhattan is one place that has changed the most in the last decade. Development happens fast and the current trends are extremely tall buildings constructed mostly of glass, chain stores and luxury boutiques. In neighborhoods that were once bohemian and home to artists and rebels, these current changes have been hard to swallow for long-time residents who run the risk of being out-priced out of the neighborhoods they have called home for decades.

Despite these changes, there are still parts of lower Manhattan that recall earlier decades. New York City suffered economically in the 1970s and it was during this decade that much of lower Manhattan was transformed into a danger zone full of abandoned lots and buildings and rampant crime. Having grown up in New York City in the 1980s and early 1990s, I have vivid memories of riding graffiti-covered trains from Queens into Manhattan. I was taught to ‘watch my back’ at all times since everyone seemed to know someone who had been mugged. Things were still different in those days prior to the initiatives by mayors Koch and Guiliani to ‘clean up’ the city (and discourse is still rampant regarding how they handled it).

When I came across this section of Canal Street initially, my heart almost leaped out of my chest. Here I was staring at a section of a spot in Chinatown that seemed as if it had been dipped in 1980s New York City and had become frozen in time (thankfully I had my camera). It’s hard to put into words how powerful this scene is for personally. It’s a bit like staring at something that once existed in a distant life.

A city may change rapidly discarding pieces of itself, but it’s the people who carry it’s broken pieces with them in their hearts who imbue the city with its memory.

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I also wanted to share a bit of current news regarding this image. A client contacted me a few weeks back regarding setting up a contract to use this photo as a full wall mural in their upcoming restaurant in the UK. Super excited to see how it turns out. I have seen the mock-ups and I can’t wait to see it when it is finished.

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Rain. New York City. Greenwich Village.

When the sky opens up over the city, urban wanderers glide over the surface of streets slick with shadowy memory.

And every drop of rain holds the world in its slippery grasp.

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Recently, someone who saw this same photo in black and white inquired if I also had the image available in color. Since I shoot in color and convert my color photos to black and white after the fact (with a few exceptions), I went through my library and found my color rendition of this scene. I was struck with how the photo evoked a different set of emotions when viewing it in color. I have come to love it in black and white to such an extent that my memory of the scene as it occurred also plays out in my mind in black and white. However, I remember the initial appeal of this candid moment was the strong bursts of color against the winter-bare trees. The day was bitterly cold: the type of damp cold that seeps down to the bone and in one short moment, the street erupted with color. It was such a fleeting moment but it created such a spark.

On a related note, I read an interesting essay by Joel Meyerwitz a few days ago on the New York Times Lens Blog called A Question of Colors - Answered. Meyerwitz is part of a current exhibition in London which compares some of Henri Cartier-Bresson’s black and white images with work by other noted photographers who have been influenced by him but have chosen to work in color for a large part of their photography careers. The curator of this particular exhibition states that: “This exhibition will show how Henri Cartier-Bresson, in spite of his skeptical attitude regarding the artistic value of colour photography, nevertheless exerted a powerful influence over photographers who took up the new medium and who were determined to put a personal stamp on it. In effect, his criticisms of colour spurred on a new generation, determined to overcome the obstacles and prove him wrong.”

It’s interesting to me that color photography inhabits a more defensive realm than black and white photography especially when it comes to street photography. I think that both have different psychological effects on the viewer and both can be just as valid in terms of having artistic value. However, it’s definitely not a simple debate.

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Doyers Street. Chinatown, New York City.

Out of the way streets tell a wealth of tales. The bright afternoon sun beats down on old decaying walls and fire escapes creating elongated shadows that seem to stretch indefinitely. If the well-worn awnings could talk, just think of the secrets they would reveal.

This particular photo is of Doyers Street, one of my favorite out of the way streets. It is a winding street that curves around and is tucked away from its hectic surroundings. The street is only about 200 feet long and runs from Pell Street to Chatham Square. It’s home to very old tenements and long-standing businesses like The Nom Wah Tea Parlor which opened in 1927.

In the early 20th century the curve in the street was known as “the Bloody Angle” because of a plethora of violent acts carried out by Chinatown gangs. The expression ‘hatchet man’ is said to have come from this era and these violent acts which often included hatchets. While the street is not bloody or violent today, it’s worth a visit to soak in the history, vibe and incredible scenery.

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I wanted to thank those who helped me out this past weekend with the Artists Wanted contest. The response warmed my heart. I used to be phobic and against contests for various reasons but I am realizing that I need to put my photography out there in different ways and I can’t let failure or fear of failure prevent me from doing that.

For those who didn’t see my post, you can still help me out by going to my contest entry page and clicking COLLECT ME

Thanks, once again. I have so many dreams that I hope can take flight with my photography and it really makes me emotional when I think of the supportive friends I have made along the way in various online communities who inspire me in so many ways.

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New York City street at night. Tribeca.

These city streets: at night they pulsate through our dreams branching out like dendrites sending their synaptic transmissions into our collective memory.

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Night and shadows in Lower Manhattan. Financial District, New York City

At night after the multitudes have retreated to their homes away from the buildings and streets that hold them close during the day the city relaxes shaking the dust of the long day from its concrete limbs.

The street lights flicker like dream-heavy blinks of an eye while smokestacks exhale world-weary breaths of smoke into the yawning night air.

This is a re-post from a few months ago. There was a mishap over at my Google Plus account which resulted in my post there being eaten up so I am re-posting to re-add the post plus the writing to my main album there.

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