NY Through the Lens - New York City Photography

The Brooklyn Bridge and New York City Skyline

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It’s interesting how long exposure photography makes you acutely aware of the environment. This was taken on a cold night as a storm was rolling in. In between stubborn sustained wind gusts as the water from the East River lapped at the edges of Brooklyn Bridge Park gushing over the sides every so often as if to foreshadow what the clouds were hoping to do to the city, I waited for a few eerie moments of unabashed calm.

Shortly after sunset as storm clouds moved in and the increasingly darkening sky turned various shades of purple and blue, there were a few minutes of calm silence. And as the water played nice and the wind decided to run its own marathon elsewhere, 4 seconds were there for the capturing before the skies unleashed their watery exclamations in the form of rain.

This is one of the more popular vantage points for photography of the Brooklyn Bridge. The skyscrapers belong to the Financial District. Prominent structures and buildings include: the Woolworth Building, New York by Gehry (at 8 Spruce Street), One World Trade Center (also known as 1 WTC and/or the Freedom Tower), Pier 17 and the South Street Seaport.

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Taken with the Sony A99 (lens details can be found clicking through the photo here to Flickr).

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The New York City skyline in the Financial District as seen from midtown Manhattan

I love the variety of skyscrapers that make up the New York City skyline in lower Manhattan. They jut up like stalagmites from the city floor. This skyline view is usually photographed from the other side usually across the East River but this is a view of the skyline as seen from midtown Manhattan. Prominent works of architecture include New York by Gehry and the Municipal Building.

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I have been experimenting quite a bit with post-processing. Someone commented on another photo of mine that I posted recently (in a negative fashion) that it didn’t seem like my other work. I replied: “That’s the beauty of art and vision - both have the freedom to change and evolve. Without that freedom, things would remain stagnant.” I can see how my style has changed over the last 3 months or so and I am grateful to have the freedom to experiment. It’s liberating to approach every photo as a blank canvas.

This particular photo was taken with the Sony a77 which I had the pleasure of using for several months late last year. I have been working on a few different stylistic photography projects over the last month which has definitely opened up creative doors in my mind.

Life may be difficult at times but it’s art that makes everything seem worthwhile.

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The New York City skyline with Financial District skyscrapers in lower Manhattan.

In the winter, there is a clarity and edge that is carried on the frigid fingers of icy air and crystallized exhales.

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I have been really getting into long exposures. There is something incredibly zen about the experience of setting up, and taking long exposures. The waiting is interesting. It forces a pause in the process. You start to be hyper-aware of the movement of clouds and light transitions. In the winter especially, it’s a commitment. The minute or so of waiting seems to encompass an eternity of thought(s).

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This is a 30 second exposure of the lower Manhattan skyline featuring the skyscrapers of the Financial District and Pier 17 taken with the Sony a99. The Freedom Tower (also known as 1 WTC or One World Trade Center), New York by Gehry, the Woolworth Building and the spire of the Municipal Building can all be seen here.

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Stone Street. New York City’s first paved street. Financial District.

Stone Street is a narrow cobblestone alley that was first developed by Dutch colonists in the 1600s. Its claim to fame is that it is New York City’s first paved street and as such it is recognized as a historic landmark.

It’s the main part of an area currently known as the Stone Street Historic District. Nestled among skyscrapers in the Financial District, it’s something of a time machine back into another era of New York City’s history. The street is the site where British merchants traded and sold goods, where American colonialists passionately spoke of independence and where tracts of land were purchased and sold (completely disregarding the earlier inhabitants of the area).

The Dutch West India Company first sold this area to European property owners in the mid 1600s. It was around 1658 that the street was paved. The name Stone Street actually came about in the late 1700s. Prior to being named Stone Street, this alley was called Hoogh Straet and then Brouwer Street and also spent some time as Duke Street. Since the street is so close to the waterfront, it was the site of a tremendous amount of commercial activity for two centuries.

In the mid 1800s, the area was destroyed by the Great Fire. Even though the Great Fire leveled hundreds of buildings in the area, the Stone Street district bounced back due to New York City having the leading maritime port in the country. However, in the mid twentieth century the area saw a decline due to maritime activity moving to the west side of Manhattan. In the mid 1990s, funding was secured to restore the area back to its former glory.

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Shot with the Sony a99 a few days ago on a bitterly cold winter day here in New York City, I can’t think of a better time to experience this historic alley. It comes to life in the summer when it is full of chairs and tables linked to the many dining establishments that now inhabit the buildings along Stone Street. But it’s in the winter when the light barely reaches through to the ground and when the breeze from the river cuts through to the bone that it makes an indelible mark on the heart.

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Stone Street Historic District. South William Street. Financial District - New York City.

Something I absolutely love about New York City is that tucked away between the towering monuments of modernity that populate the cityscape are streets that look as if they have been transported from another era and geographic location entirely. These streets are suspended in time like flies in amber.

This area is known as the Stone Street historic district in lower Manhattan. Bound by Stone Street, Pearl Street, and South William Streets and Mill Lane, it is a section that is unlike any of its surrounding blocks. This particular section is bound by South William street and 13-15 South William Street can be seen in this particular view. Around the block from this part of the area are other historic buildings and the Stone Street area ‘proper’.

In 1903, the architect C.P.H. Gilbert designed new street facades on the buildings in this section of South William Street (57 Stone Street on the other side). Gilbert’s neo-Dutch Renaissance architecture features structural details like stepped gables and strapwork and was a nod to the early settlement of Manhattan.

This area which dates back to the 1600s when New York City was first colonized by Dutch settlers was sadly destroyed by the Great Fire of 1835. The surrounding section of Stone Street was rebuilt with granite bases of post-and-lintel construction and upper-additions of brick which were specifically erected for importers and merchants.

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New York City at night - Financial District street with a smoke stack.

At night after the multitudes have retreated to their homes away from the buildings and streets that hold them close during the day the city relaxes shaking the dust of the long day from its concrete limbs.

The street lights flicker like dream-heavy blinks of an eye while smokestacks exhale world-weary breaths of smoke into the yawning night air.

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The New York City skyline at sunset.

At the end of this past summer, I rode the East River Ferry alone one day for four hours. I find it really relaxing to be near or on the water.The ferry has an all-day pass and at times it was only me on the deck watching the bridges and skyline fade in and out of view as the sun danced across the sky.

There is a moment at the beginning of sunset when the sun begins to drop from the sky when it almost appears as if it is trying to catch its reflection in the water mirror below. I wish I could have bottled this moment up to have forever because it was as if the entire city was wrapped up in an intensely intimate embrace with the sun.

Isn’t that what is so great about photography?

Moments can last a lifetime.

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Seen in this photo: The Manhattan Bridge is in the foreground and the Brooklyn Bridge is directly behind it. The skyscrapers of the Lower Manhattan skyline are off to the right including the Woolworth Building, New York by Gehry and One World Trade Center (formally known as the Freedom Tower). To the left sits the borough of Brooklyn and the neighborhood of Dumbo.

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The New York City skyline at sunset as seen from the East River. Financial District.

The skyscrapers clamor to watch night after night, from their front row seat, as the sun’s light dances across the river.

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This was taken with my phone. I am @newyorklens on Instagram (view my feed here). Check out my other phone photography posts made to this blog, and my mobile photography photos on Flickr.

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The New York City skyline and the Statue of Liberty at sunset as seen from under the Brooklyn Bridge.

Every evening, the sun slides slowly down along the sky gleaming and floating above the city.

Reaching through the clouds to look at its reflection of liquid gold in the water below, it pauses.

And in those brief moments, it’s as if the earth has stopped revolving just long enough for the sun and the city to kiss.

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This was taken while on a boat in the East River passing under the Brooklyn Bridge. The skyline is the lower Manhattan skyline featuring the skyscrapers of the Financial District and Pier 17 at South Street Seaport. To the left in the distance, sits the Statue of Liberty.

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The Brooklyn Bridge and New York City skyline.

On hazy summer afternoons when dusk pulls its soft purple veil over the city, the skyline softens momentarily in the dreamy-eyed gaze of the clouds.

And as light slides from the sky making its way over steel, wood and concrete towards the disintegrating horizon, bridges and skyscrapers melt with the sun into the evening.

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New York by Gehry in black and white. Financial District, New York City.

This is one of my favorite ‘newer’ New York City skyscrapers. It is located in the Financial District at 8 Spruce Street. There is just something extraordinarily grandiose about New York by Gehry (designed by Frank Gehry). It’s the tallest residential skyscraper in North America currently standing at 76 stories high.

When you stand at its base, it’s as if its top scrapes delicately across the surface of the sky.

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This photo was taken with my phone. I am @newyorklens on Instagram (view my feed here). Check out my other Instagram posts made to this blog here. You can check out all of my Instagram photos on Flickr here. Additionally, you can view my phone photography for sale here.

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Walking the dog towards Mill Lane. Financial District, New York City.

I have been thinking a lot about different visions of New York City a lot lately which I wrote about recently in this post about everyone’s different version of New York City in their minds. I had an interesting interview for a project I am being considered for a few weeks ago where I found myself talking about what I try to convey about New York City with my photography and writing.

It was interesting to talk about it face to face (over Skype) rather than write about it because in a sort of stream of consciousness way I had to explain to someone who had never been to New York City how I try to show how I experience New York City on a regular basis via my own views of it colored by falling in love with a combination of streetscapes in classic film noir cinema, futuristic sci-fi city environments in literature and film, and years of traversing New York City on foot.

A few nights ago, I watched a documentary about Woody Allen and there was a segment in it that resonated with me deeply which is no surprise since I am a huge fan of the Annie Hall and Manhattan era Woody Allen films. Martin Scorcese, the director of masterpieces such as: Mean Streets, Taxi Driver, Raging Bull, Goodfellas and Gangs of New York talks about Woody Allen’s extreme nostalgia for the present that is evident in Allen’s film Manhattan. He states that for Woody Allen it is as if New York City is constantly alive and continually evolving but Allen’s New York City is an entirely different planet from his own. The documentary switches over to Woody Allen who then states: “I wanted to show New York in a very beautiful way, the way I see it. I never had any interest in showing it except through my rose colored glasses; my romanticized view of it.”

There is definitely a romanticized element that is evident in my photography of New York City. When I walk from my apartment on the Lower East Side through Chinatown and Soho or up through the East Village towards midtown, I am bombarded with memories and desire to capture the fragments of life and architecture that, for me, tug at the visions of New York City I have in my own mind. I hope that one day if and when I have the means to travel I will be able to do the same which each place I explore and experience.

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The New York City skyline at sunset in silhouette under dramatic storm clouds.

Clouds, which once covered the sky like a thick, dark purple blanket open slowly to reveal the blue hues that breathe life into the day.

And as the sun’s flame dips closer to the horizon, its scintillating luster reaches up to the clouds.

For, you see, the sun only disappears temporarily to make way for the moon and stars that blush white-hot in thoughts of its splendor.

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The New York City skyline at sunset under clouds in silhouette.

I used to refer to sunsets as sun-fire.

Those first sunsets burned through my retinas into the innermost recesses of my mind.

Clouds poured over the smoldering sparks of orange like thick plumes of smoke and before the sun extinguished itself, it burned the brightest of any flame in existence.

When the sun sets over New York City, it’s as if a thousand flames dance across the sky, leaving embers scattered across the skyline in the wake of it’s burning: like a fevered dream scattering its remnants across the mind before the deepest of slumbers.

I used to refer to sunsets as sun-fire.

I still do.

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