The Brooklyn Bridge. New York City.

 When the clouds pull their veils back from the sky’s face after a storm, the light hits the world at such an angle that even the most rigid man-made creations glimmer like the water’s surface in the sun.

If you could distill New York City down to an essence so pure that it glimmered in such a way, it would look like this: captured, cooled, magnificent in its indistinguishable hand-woven-steel beauty.



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Buy “Distillation process - The Brooklyn Bridge - New York City” Prints here, email me, or ask for help.

The Brooklyn Bridge. New York City.

When the clouds pull their veils back from the sky’s face after a storm, the light hits the world at such an angle that even the most rigid man-made creations glimmer like the water’s surface in the sun.

If you could distill New York City down to an essence so pure that it glimmered in such a way, it would look like this: captured, cooled, magnificent in its indistinguishable hand-woven-steel beauty.

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View this photo larger and on black on my Google Plus page

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Buy “Distillation process - The Brooklyn Bridge - New York City” Prints here, email me, or ask for help.

Looking out over the tenements of East Broadway. Two Bridges, Chinatown. New York City.

In my last post I wrote about streets that, for me, fill in the image of New York City that exists in my mind. These are streets that represent so much more than merely a geographical spot. These streets are the embodiment of a core concept that has defined New York City for many decades. The sheer density of people that grace these streets with their presence seem to imbue streets like these with the weight of their aspirations.

New York City has always been a destination for those seeking a generalized concept of a better life. As an economic lighthouse and representation of (the steadily crumbling concept of) the American Dream, New York City has attracted people from all over the world especially during the last century. 

I grew up the child of an immigrant to the United States. My mother’s family fled Eastern Europe after World War II. They (including her) were victims of the war, concentration camp and labor camp survivors who carried with them mental scars so deep that it took years for them to gain even a small modicum of a foothold here. 

I have always felt disconnected from her experience though. My mother who wanted her children to blend in rather than stick out as she did when she immigrated here, did her best to give me and my brothers a fairly normal American childhood where we grew up in Queens. It wasn’t until a decade ago when I started to ask her about her own immigration story after starting to delve into my own fascination with the history of New York City that I started to understand the gravity of what it means to come to a place like New York City with little more than a massive amount of dreams. 

And so, shortly after moving to the Lower East Side from elsewhere in Manhattan I came across this street (the one in this photo) since it sits in a neighborhood that borders the Lower East Side and Chinatown and it felt as if I could finally understand what it must have been like for my mother and for all those who came here to America with eyes full of hope. 

It’s not that my mother settled here in this neighborhood specifically. But rather that it’s as if this street has been steeped in a time when the world and New York City was a different place, one that held out vast amounts of heady fortune in its outstretched hands. The world has changed quite a bit since my mother first set foot here. It’s harder (dare I say almost completely difficult) to come here with next to nothing and make a decent life for yourself. The hands are still held out but they are no longer outstretched for everyone.

When I look at this street today, I see many of the original tenements that were standing one hundred years ago when waves of immigrants came to New York City following their own hazy image of what New York City embodied in their minds and those who traverse this street today are not so far removed from my mother who traversed the streets of New York City for many decades.

It’s as if, for the few minutes that I spend gazing at this street below (as I often do), I am connected in a deeper way to all of the dreamers that called and still call New York City their home. 

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Buy “Density - Above Chinatown - New York City” Prints here, email me, or ask for help.

Looking out over the tenements of East Broadway. Two Bridges, Chinatown. New York City.

In my last post I wrote about streets that, for me, fill in the image of New York City that exists in my mind. These are streets that represent so much more than merely a geographical spot. These streets are the embodiment of a core concept that has defined New York City for many decades. The sheer density of people that grace these streets with their presence seem to imbue streets like these with the weight of their aspirations.

New York City has always been a destination for those seeking a generalized concept of a better life. As an economic lighthouse and representation of (the steadily crumbling concept of) the American Dream, New York City has attracted people from all over the world especially during the last century.

I grew up the child of an immigrant to the United States. My mother’s family fled Eastern Europe after World War II. They (including her) were victims of the war, concentration camp and labor camp survivors who carried with them mental scars so deep that it took years for them to gain even a small modicum of a foothold here.

I have always felt disconnected from her experience though. My mother who wanted her children to blend in rather than stick out as she did when she immigrated here, did her best to give me and my brothers a fairly normal American childhood where we grew up in Queens. It wasn’t until a decade ago when I started to ask her about her own immigration story after starting to delve into my own fascination with the history of New York City that I started to understand the gravity of what it means to come to a place like New York City with little more than a massive amount of dreams.

And so, shortly after moving to the Lower East Side from elsewhere in Manhattan I came across this street (the one in this photo) since it sits in a neighborhood that borders the Lower East Side and Chinatown and it felt as if I could finally understand what it must have been like for my mother and for all those who came here to America with eyes full of hope.

It’s not that my mother settled here in this neighborhood specifically. But rather that it’s as if this street has been steeped in a time when the world and New York City was a different place, one that held out vast amounts of heady fortune in its outstretched hands. The world has changed quite a bit since my mother first set foot here. It’s harder (dare I say almost completely difficult) to come here with next to nothing and make a decent life for yourself. The hands are still held out but they are no longer outstretched for everyone.

When I look at this street today, I see many of the original tenements that were standing one hundred years ago when waves of immigrants came to New York City following their own hazy image of what New York City embodied in their minds and those who traverse this street today are not so far removed from my mother who traversed the streets of New York City for many decades.

It’s as if, for the few minutes that I spend gazing at this street below (as I often do), I am connected in a deeper way to all of the dreamers that called and still call New York City their home.

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View this photo larger and on black on my Google Plus page

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Buy “Density - Above Chinatown - New York City” Prints here, email me, or ask for help.

Over East Broadway on a busy, sunny afternoon. Two Bridges. Lower East Side, New York City.

There are streets that, for me, fill in the image of New York City that exists in my mind. 

I have spoken about this before in older posts. Everyone seems to have their own image of New York City that, for them, represents so much more than just the geographical spot that New York City inhabits on any sort of map. 

It took me about a year of thinking about my own approach to New York City with photography and via writing to figure out what I was trying to do every time I took a photo of this city I have called home since my birth. But now I know and it has changed my own view of my surroundings. 

It’s not easy to attempt to distill something as enormous a concept or location as New York City into visual and tangible emotion but that is what I try to do with every photo I feel proud enough to post, whether it is taken with my phone (like the photo in this post) or with my regular camera.

I will post a few companion photos to this one later this week (that I took with my regular camera) and expand further about what this street means to me currently.

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This is my weekly mobile photography post. I am @newyorklens on Instagram (view my feed here). You can read about my thoughts on mobile photography and Instagram here and you can check out some of my Instagram photos on Flickr here. Additionally, you can view my phone photography for sale here.




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Buy ” Over East Broadway - Lower East Side - New York City” Prints here, My mobile photography for sale here, My regular photography for sale here, email me, or ask for help.

Over East Broadway on a busy, sunny afternoon. Two Bridges. Lower East Side, New York City.

There are streets that, for me, fill in the image of New York City that exists in my mind.

I have spoken about this before in older posts. Everyone seems to have their own image of New York City that, for them, represents so much more than just the geographical spot that New York City inhabits on any sort of map.

It took me about a year of thinking about my own approach to New York City with photography and via writing to figure out what I was trying to do every time I took a photo of this city I have called home since my birth. But now I know and it has changed my own view of my surroundings.

It’s not easy to attempt to distill something as enormous a concept or location as New York City into visual and tangible emotion but that is what I try to do with every photo I feel proud enough to post, whether it is taken with my phone (like the photo in this post) or with my regular camera.

I will post a few companion photos to this one later this week (that I took with my regular camera) and expand further about what this street means to me currently.

—-

This is my weekly mobile photography post. I am @newyorklens on Instagram (view my feed here). You can read about my thoughts on mobile photography and Instagram here and you can check out some of my Instagram photos on Flickr here. Additionally, you can view my phone photography for sale here.

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View this photo larger and on black on my Google Plus page

—-

Buy ” Over East Broadway - Lower East Side - New York City” Prints here, My mobile photography for sale here, My regular photography for sale here, email me, or ask for help.

Soho street in bright afternoon sunlight. New York City.

In the bright afternoon light of the sun, the city squints its eyes momentarily.

Buildings emerge from their slumbering shadows and streets glisten.

It’s during this momentary squint that every sun gleam and distant figure on each sun-kissed street flicker in and out of view: urban mirages filtered through the eyes of the city.


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 I just wanted to share that this past weekend for the first time ever I had a request for and sold a visual print of one of my pieces of writing to accompany a print (this poem) . I have never been so happy! 
 
I get really excited every time I sell a print but to sell a piece of writing is something I consider really special because my words are so intrinsically linked to my photography (and vice versa). Many thanks to the wonderful customer!


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View this photo larger and on black on my Google Plus page


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Buy “Urban Mirages - Soho Street - New York City” Prints here, email me, or ask for help.

Soho street in bright afternoon sunlight. New York City.

In the bright afternoon light of the sun, the city squints its eyes momentarily.

Buildings emerge from their slumbering shadows and streets glisten.

It’s during this momentary squint that every sun gleam and distant figure on each sun-kissed street flicker in and out of view: urban mirages filtered through the eyes of the city.

—-

I just wanted to share that this past weekend for the first time ever I had a request for and sold a visual print of one of my pieces of writing to accompany a print (this poem) . I have never been so happy!

I get really excited every time I sell a print but to sell a piece of writing is something I consider really special because my words are so intrinsically linked to my photography (and vice versa). Many thanks to the wonderful customer!

—-

View this photo larger and on black on my Google Plus page

—-

Buy “Urban Mirages - Soho Street - New York City” Prints here, email me, or ask for help.

Above a street in the Two Bridges neighborhood. New York City.

There are areas in lower Manhattan where fragments of the city’s history have settled like fine dust, fragile and prone to the whims of time.

Around these hallowed enclaves, newer history reaches higher towards the sky and rises from the ground borne from the dust of the city’s past.

This particular spot is known as Two Bridges and sits along the East River. It borders Chinatown and the Lower East Side and has long been a dwelling spot for many different immigrant communities over the years. It sits alongside the infamous and historic Five Points area where Irish, Jewish and Italian gangs battled to the death in the mid-19th century. It is currently home to a large community of Chinese immigrants and many of the buildings are tenements dating back to the late 19th and early 20th centuries.



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Buy “Fragments - Overlooking Two Bridges - New York City” Prints here, email me, or ask for help.

Above a street in the Two Bridges neighborhood. New York City.

There are areas in lower Manhattan where fragments of the city’s history have settled like fine dust, fragile and prone to the whims of time.

Around these hallowed enclaves, newer history reaches higher towards the sky and rises from the ground borne from the dust of the city’s past.

This particular spot is known as Two Bridges and sits along the East River. It borders Chinatown and the Lower East Side and has long been a dwelling spot for many different immigrant communities over the years. It sits alongside the infamous and historic Five Points area where Irish, Jewish and Italian gangs battled to the death in the mid-19th century. It is currently home to a large community of Chinese immigrants and many of the buildings are tenements dating back to the late 19th and early 20th centuries.

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View this photo larger and on black on my Google Plus page

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Buy “Fragments - Overlooking Two Bridges - New York City” Prints here, email me, or ask for help.

 Skyscrapers. Financial District, New York City.

When I was very young, I remember learning about vast mountain ranges that existed in what seemed like universes beyond New York City. I would regale myself with images of these towering feats of nature trying to imagine what it was like to come in contact with such powerful natural wonders. I used to think to myself “There is nothing like this here in the city, all we have are buildings.”

It wasn’t until my teens when I lived in New Mexico for a little over a year and more specifically when I got to experience the majesty of Taos that I was able to understand how infinitely small everything seems in comparison to the vastness of the world. 

And yet, while I was in school there in Albuquerque, other students would ask me daily to tell them what it was like to live amongst buildings that soared to the sky.

It never occurred to me before that time that the man-made feats of architecture that I viewed on a regular basis were for these students what the images of mountain ranges were to me before I had the experience of seeing mountains with my own eyes.

When I moved back to New York City, I carried that new knowledge with me like a precious gift, tucking it away for safe-keeping.

And it wasn’t until I discovered photography, that I took that knowledge out from where I tucked it away for many years and started to view my own city with new eyes.

There isn’t a day that goes by that I don’t recall the time when I realized that New York City is its own man-made land of enchantment.


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View this photo larger and on black on my Google Plus page


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Buy “Enchantment - Skyscrapers - Financial District - New York City” Prints here, email me, or ask for help.

Skyscrapers. Financial District, New York City.

When I was very young, I remember learning about vast mountain ranges that existed in what seemed like universes beyond New York City. I would regale myself with images of these towering feats of nature trying to imagine what it was like to come in contact with such powerful natural wonders. I used to think to myself “There is nothing like this here in the city, all we have are buildings.”

It wasn’t until my teens when I lived in New Mexico for a little over a year and more specifically when I got to experience the majesty of Taos that I was able to understand how infinitely small everything seems in comparison to the vastness of the world.

And yet, while I was in school there in Albuquerque, other students would ask me daily to tell them what it was like to live amongst buildings that soared to the sky.

It never occurred to me before that time that the man-made feats of architecture that I viewed on a regular basis were for these students what the images of mountain ranges were to me before I had the experience of seeing mountains with my own eyes.

When I moved back to New York City, I carried that new knowledge with me like a precious gift, tucking it away for safe-keeping.

And it wasn’t until I discovered photography, that I took that knowledge out from where I tucked it away for many years and started to view my own city with new eyes.

There isn’t a day that goes by that I don’t recall the time when I realized that New York City is its own man-made land of enchantment.

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View this photo larger and on black on my Google Plus page

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Buy “Enchantment - Skyscrapers - Financial District - New York City” Prints here, email me, or ask for help.

 The Chrysler Building. Midtown, New York City.

If you are fortunate enough to look up at exactly the right time, you can catch the sun dancing along the top of the Chrysler Building.

As the sun glides across the iconic spire, it leaves glimmering trails: shimmering footsteps connecting the sky to the city.

The Chrysler Building is a classic example of Art Deco architecture. Designed by architect William Van Alen for a project of Walter P. Chrysler, it was the headquarters of the Chrysler Corporation from 1930 until the mid 1950’s. Even though the building was built and designed specifically for the car manufacturer, the corporation did not pay for the construction of it and never owned it, as Walter P. Chrysler decided to pay for it himself, so that his children could inherit it.

Upon its completion on May 20, 1930, the added height of the spire allowed the Chrysler Building to surpass 40 Wall Street as the tallest building in the world and the Eiffel Tower as the tallest structure. It was the first man-made structure to stand taller than 1,000 feet.


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View this photo larger and on black on my Google Plus page


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Buy “Touching the Sky - The Chrysler Building - New York City” Prints here, email me, or ask for help.

The Chrysler Building. Midtown, New York City.

If you are fortunate enough to look up at exactly the right time, you can catch the sun dancing along the top of the Chrysler Building.

As the sun glides across the iconic spire, it leaves glimmering trails: shimmering footsteps connecting the sky to the city.

The Chrysler Building is a classic example of Art Deco architecture. Designed by architect William Van Alen for a project of Walter P. Chrysler, it was the headquarters of the Chrysler Corporation from 1930 until the mid 1950’s. Even though the building was built and designed specifically for the car manufacturer, the corporation did not pay for the construction of it and never owned it, as Walter P. Chrysler decided to pay for it himself, so that his children could inherit it.

Upon its completion on May 20, 1930, the added height of the spire allowed the Chrysler Building to surpass 40 Wall Street as the tallest building in the world and the Eiffel Tower as the tallest structure. It was the first man-made structure to stand taller than 1,000 feet.

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View this photo larger and on black on my Google Plus page

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Buy “Touching the Sky - The Chrysler Building - New York City” Prints here, email me, or ask for help.

 The New York City skyline and the Empire State Building on a beautiful, hazy day.

On a hazy day, New York City stretches on indefinitely: infinity sprawling out like a somnolent feline. Clouds cast a bone-white hue on the tops of skyscrapers that jut out of the landscape: their axis-mundi-aspirations propelling them skyward. The day languidly yawns, its heavy eyelids blurring the horizon.

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Despite growing up in New York City, I hadn’t been to the tops of any of the iconic skyscrapers with observation decks since I was very, very little. The Top of the Rock is an observation deck on the top of Rockefeller Center. It closed in 1986 for renovations and reopened in 2005. When I was younger, I went on a few school trips to Rockefeller Center to go on the NBC Studios tour which was a lot of fun but since it was the late 80s and early 90s, the top was closed to visitors. In recent years, I decided to finally visit the Top of the Rock. 

The Top of the Rock is the top of what is also known as the GE Building. It’s an Art Deco skyscraper that is in the center of Rockefeller Center. The GE Building used to be known as the RCA Building until the mid 1980s when GE incorporated RCA and NBC. The building is 850 feet tall (70 stories) and since the address is 30 Rockefeller Center, it is usually referred to as “30 Rock”.

What I find really incredible about the observation decks at Top of the Rock aside from the views is that there is so much room. There are three observation decks in total and all three are designed to resemble the upper decks of a 1930s luxury ocean liner complete with deck chairs. Two of the decks on the the 67th and 69th floors include outdoor terraces which are enclosed in transparent, safety glass. The top deck which is on the 70th floor features a completely open air, unobstructed 360-degree view of New York City and beyond.

The day I went, there were barely any people up on the top deck with me since the weather wasn’t ideal. However, I think it’s often less crowded than the Empire State Building’s observation deck even in beautiful weather. At 850 feet above street level, the view is jaw-dropping and includes complete views of Central Park and the Empire State Building which you can’t really complain about.

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Posted as a request since several people messaged me to ask what my favorite photo of the New York City skyline with the Empire State Building is that I have taken. This would be one of them :). 

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View this photo larger and on black on my Google Plus page


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Buy “The Infinite Sprawl - The Empire State Building and the New York City Skyline” Prints here, email me, or ask for help.

The New York City skyline and the Empire State Building on a beautiful, hazy day.

On a hazy day, New York City stretches on indefinitely: infinity sprawling out like a somnolent feline. Clouds cast a bone-white hue on the tops of skyscrapers that jut out of the landscape: their axis-mundi-aspirations propelling them skyward. The day languidly yawns, its heavy eyelids blurring the horizon.

—-

Despite growing up in New York City, I hadn’t been to the tops of any of the iconic skyscrapers with observation decks since I was very, very little. The Top of the Rock is an observation deck on the top of Rockefeller Center. It closed in 1986 for renovations and reopened in 2005. When I was younger, I went on a few school trips to Rockefeller Center to go on the NBC Studios tour which was a lot of fun but since it was the late 80s and early 90s, the top was closed to visitors. In recent years, I decided to finally visit the Top of the Rock.

The Top of the Rock is the top of what is also known as the GE Building. It’s an Art Deco skyscraper that is in the center of Rockefeller Center. The GE Building used to be known as the RCA Building until the mid 1980s when GE incorporated RCA and NBC. The building is 850 feet tall (70 stories) and since the address is 30 Rockefeller Center, it is usually referred to as “30 Rock”.

What I find really incredible about the observation decks at Top of the Rock aside from the views is that there is so much room. There are three observation decks in total and all three are designed to resemble the upper decks of a 1930s luxury ocean liner complete with deck chairs. Two of the decks on the the 67th and 69th floors include outdoor terraces which are enclosed in transparent, safety glass. The top deck which is on the 70th floor features a completely open air, unobstructed 360-degree view of New York City and beyond.

The day I went, there were barely any people up on the top deck with me since the weather wasn’t ideal. However, I think it’s often less crowded than the Empire State Building’s observation deck even in beautiful weather. At 850 feet above street level, the view is jaw-dropping and includes complete views of Central Park and the Empire State Building which you can’t really complain about.

—-

Posted as a request since several people messaged me to ask what my favorite photo of the New York City skyline with the Empire State Building is that I have taken. This would be one of them :).

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View this photo larger and on black on my Google Plus page

—-

Buy “The Infinite Sprawl - The Empire State Building and the New York City Skyline” Prints here, email me, or ask for help.

 Cobble Hill brownstones on a cloudy day. Brooklyn, New York City.

I had severe brownstone envy when I was younger. Growing up in Queens (another borough of New York City), I visited Brooklyn frequently and the brownstones found in Brooklyn tugged at my heart. Their ornate doorways were flanked by enormous and extravagant stairways and every window seemed to be a frame encapsulating an enticing painting.

There wasn’t anything that came close to these beautiful works of architecture where I grew up in Queens. Watching the Cosby Show fueled my envy of course. I had no idea at the time that the exterior shots of the Cosby’s brownstone were shot in Greenwich Village and not in Brooklyn Heights where the Cosby’s fictional residence was located (why they did this is beyond me since Brooklyn Heights has some of the most beautiful brownstones). 

All I knew was that these masterpieces of architecture just seemed more ‘New York City’ than any of the buildings I grew up surrounded by.

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Buy “Cobble Hill Brownstone - Brooklyn - New York City” Prints here, email me, or ask for help.

Cobble Hill brownstones on a cloudy day. Brooklyn, New York City.

I had severe brownstone envy when I was younger. Growing up in Queens (another borough of New York City), I visited Brooklyn frequently and the brownstones found in Brooklyn tugged at my heart. Their ornate doorways were flanked by enormous and extravagant stairways and every window seemed to be a frame encapsulating an enticing painting.

There wasn’t anything that came close to these beautiful works of architecture where I grew up in Queens. Watching the Cosby Show fueled my envy of course. I had no idea at the time that the exterior shots of the Cosby’s brownstone were shot in Greenwich Village and not in Brooklyn Heights where the Cosby’s fictional residence was located (why they did this is beyond me since Brooklyn Heights has some of the most beautiful brownstones).

All I knew was that these masterpieces of architecture just seemed more ‘New York City’ than any of the buildings I grew up surrounded by.

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View this photo larger and on black on my Google Plus page

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Buy “Cobble Hill Brownstone - Brooklyn - New York City” Prints here, email me, or ask for help.

Spring tulips and blossoms on Park Avenue. Upper East Side, New York City.

There is nothing quite like spring on Park Avenue in upper Manhattan. The gorgeous, ornate architecture is adorned by beautiful spring blossoms. 

Park Avenue is one of the wider avenues on the Upper East Side and has a center divider that showcase trees and flowers. In the spring, rows and rows of yellow tulips bloom at once catching the sunlight with their effervescent petals while the trees on either side of the avenue and in the center area feature pink, yellow, white and light green blossoms.

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If you didn’t see my initial contest entry post for the current Artists Wanted photography contest, you can still help me out by going to my contest entry page and clicking collect me

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View this photo larger and on black on my Google Plus page


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Buy “Park Avenue in the Spring - Upper East Side - New York City” Prints here, email me, or ask for help.

Spring tulips and blossoms on Park Avenue. Upper East Side, New York City.

There is nothing quite like spring on Park Avenue in upper Manhattan. The gorgeous, ornate architecture is adorned by beautiful spring blossoms.

Park Avenue is one of the wider avenues on the Upper East Side and has a center divider that showcase trees and flowers. In the spring, rows and rows of yellow tulips bloom at once catching the sunlight with their effervescent petals while the trees on either side of the avenue and in the center area feature pink, yellow, white and light green blossoms.

—-

If you didn’t see my initial contest entry post for the current Artists Wanted photography contest, you can still help me out by going to my contest entry page and clicking collect me

—-

View this photo larger and on black on my Google Plus page

—-

Buy “Park Avenue in the Spring - Upper East Side - New York City” Prints here, email me, or ask for help.

The Solomon R. Guggenheim Museum designed by Frank Lloyd Wright. Upper East Side. New York City.

Sometimes the simplicity of a scene is enough to render one speechless before realizing that the perceived simplicity is complex in its own right.

The curves of architecture suggesting a softness usually relegated to flesh against a bone white sky, for example.

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The architectural design in this photo is the work of Frank Lloyd Wright and is the top of the Solomon R. Guggenheim Museum. Wright was commissioned to design a space for the museum in 1943 and the project took well over a decade to complete. He apparently was disappointed in the choice of New York City as the home of the building as he thought that New York City was overbuilt and overpopulated. However, he complied with the wishes of the client and the Guggenheim was set to be built next to Central Park as possible to keep it as close to nature as possible. It is located on the Upper East Side on 5th Avenue between 88th and 89th Streets across from Central Park.

According to the Guggenheim’s site: “Nature not only provided the museum with a respite from New York’s distractions but also leant it inspiration. The Guggenheim Museum is an embodiment of Wright’s attempts to render the inherent plasticity of organic forms in architecture. 

His inverted ziggurat (a stepped or winding pyramidal temple of Babylonian origin) dispensed with the conventional approach to museum design, which led visitors through a series of interconnected rooms and forced them to retrace their steps when exiting. Instead, Wright whisked people to the top of the building via elevator, and led them downward at a leisurely pace on the gentle slope of a continuous ramp. The galleries were divided like the membranes in citrus fruit, with self-contained yet interdependent sections. The open rotunda afforded viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalled a nautilus shell, with continuous spaces flowing freely one into another.”

—-

If you didn’t see my initial contest entry post for the current Artists Wanted photography contest, you can still help me out by going to my contest entry page and clicking collect me

—-

View this photo larger and on black on my Google Plus page


—-

Buy “The Solomon R. Guggenheim Museum - New York City” Prints here, email me, or ask for help.

The Solomon R. Guggenheim Museum designed by Frank Lloyd Wright. Upper East Side. New York City.

Sometimes the simplicity of a scene is enough to render one speechless before realizing that the perceived simplicity is complex in its own right.

The curves of architecture suggesting a softness usually relegated to flesh against a bone white sky, for example.

—-

The architectural design in this photo is the work of Frank Lloyd Wright and is the top of the Solomon R. Guggenheim Museum. Wright was commissioned to design a space for the museum in 1943 and the project took well over a decade to complete. He apparently was disappointed in the choice of New York City as the home of the building as he thought that New York City was overbuilt and overpopulated. However, he complied with the wishes of the client and the Guggenheim was set to be built next to Central Park as possible to keep it as close to nature as possible. It is located on the Upper East Side on 5th Avenue between 88th and 89th Streets across from Central Park.

According to the Guggenheim’s site: “Nature not only provided the museum with a respite from New York’s distractions but also leant it inspiration. The Guggenheim Museum is an embodiment of Wright’s attempts to render the inherent plasticity of organic forms in architecture.

His inverted ziggurat (a stepped or winding pyramidal temple of Babylonian origin) dispensed with the conventional approach to museum design, which led visitors through a series of interconnected rooms and forced them to retrace their steps when exiting. Instead, Wright whisked people to the top of the building via elevator, and led them downward at a leisurely pace on the gentle slope of a continuous ramp. The galleries were divided like the membranes in citrus fruit, with self-contained yet interdependent sections. The open rotunda afforded viewers the unique possibility of seeing several bays of work on different levels simultaneously. The spiral design recalled a nautilus shell, with continuous spaces flowing freely one into another.”

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If you didn’t see my initial contest entry post for the current Artists Wanted photography contest, you can still help me out by going to my contest entry page and clicking collect me

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View this photo larger and on black on my Google Plus page

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Buy “The Solomon R. Guggenheim Museum - New York City” Prints here, email me, or ask for help.

Looking out over the skyscrapers of the New York City skyline. Midtown.

There is an inherent romance that can be found in the sheer density of the architecture of New York City.

Buildings huddle close like lovers before a nervous first kiss. Their bodies rise up to the sky proud and majestic each one holding dozens if not thousands of stories.

 If you look intently you can see their bold spirits traveling with the wind carrying the hopes and dreams of those who share their world to soaring heights of possibility and promise. 

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If you didn’t see my initial contest entry post for the current Artists Wanted photography contest, you can still help me out by going to my contest entry page and clicking collect me

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View this photo larger and on black on my Google Plus page


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Buy “Like Lovers - Skyscrapers of the New York City Skyline” Prints here, email me, or ask for help.

Looking out over the skyscrapers of the New York City skyline. Midtown.

There is an inherent romance that can be found in the sheer density of the architecture of New York City.

Buildings huddle close like lovers before a nervous first kiss. Their bodies rise up to the sky proud and majestic each one holding dozens if not thousands of stories.

If you look intently you can see their bold spirits traveling with the wind carrying the hopes and dreams of those who share their world to soaring heights of possibility and promise.

—-

If you didn’t see my initial contest entry post for the current Artists Wanted photography contest, you can still help me out by going to my contest entry page and clicking collect me

—-

View this photo larger and on black on my Google Plus page

—-

Buy “Like Lovers - Skyscrapers of the New York City Skyline” Prints here, email me, or ask for help.

Chinatown rooftop graffiti. Two Bridges, New York City.

New York City is an urban layer cake. 

This is another one of my favorite views in lower Manhattan. It’s a small segment of an entire universe that exists above millions of New Yorkers. 

Layers of colorful graffiti cover the rooftops of these Chinatown apartment buildings as rooftop doors blow open in the wind and colorful clothing sways on clotheslines high above the city below.  


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View this photo larger and on black on my Google Plus page

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Buy “Chinatown Rooftop Graffiti - New York City” Posters and Prints here, email me, or ask for help.

Chinatown rooftop graffiti. Two Bridges, New York City.

New York City is an urban layer cake.

This is another one of my favorite views in lower Manhattan. It’s a small segment of an entire universe that exists above millions of New Yorkers.

Layers of colorful graffiti cover the rooftops of these Chinatown apartment buildings as rooftop doors blow open in the wind and colorful clothing sways on clotheslines high above the city below.

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View this photo larger and on black on my Google Plus page

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Buy “Chinatown Rooftop Graffiti - New York City” Posters and Prints here, email me, or ask for help.

Above Chinatown looking down East Broadway at the Chinatown skyline. New York City.

I have been going through my photos as I add them to my new SmugMug store . It’s been quite a journey (and a huge task since I have hundreds, if not thousands of photos to add to it!) since I am trying to also add the prose and/or descriptive writing associated with each photo to the photos there.

This is one of my favorite views of Chinatown! On the day I shot this, I noticed a girl perched on one of the roof tops (you can see her on the right side of the photo if you click to see a larger version) eating food enjoying the view of the bridge where I was standing. It was such a great New York City moment. I waved to her and she half-waved back! 

This particular spot is a Chinatown neighborhood known as ‘Two Bridges’. Two Bridges sits along the East River and has long been a dwelling spot for many different immigrant communities over the years. It sits alongside the infamous and historic Five Points area where Irish, Jewish and Italian gangs battled to the death in the mid-19th century. It is currently home to a large community of Chinese immigrants and many of the buildings are tenements dating back to the late 19th and early 20th centuries.


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View this photo larger and on black on my Google Plus page

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Buy “Heart of it All - Above Chinatown - New York City” Posters and Prints here, email me, or ask for help.

Above Chinatown looking down East Broadway at the Chinatown skyline. New York City.

I have been going through my photos as I add them to my new SmugMug store . It’s been quite a journey (and a huge task since I have hundreds, if not thousands of photos to add to it!) since I am trying to also add the prose and/or descriptive writing associated with each photo to the photos there.

This is one of my favorite views of Chinatown! On the day I shot this, I noticed a girl perched on one of the roof tops (you can see her on the right side of the photo if you click to see a larger version) eating food enjoying the view of the bridge where I was standing. It was such a great New York City moment. I waved to her and she half-waved back!

This particular spot is a Chinatown neighborhood known as ‘Two Bridges’. Two Bridges sits along the East River and has long been a dwelling spot for many different immigrant communities over the years. It sits alongside the infamous and historic Five Points area where Irish, Jewish and Italian gangs battled to the death in the mid-19th century. It is currently home to a large community of Chinese immigrants and many of the buildings are tenements dating back to the late 19th and early 20th centuries.

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View this photo larger and on black on my Google Plus page

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Buy “Heart of it All - Above Chinatown - New York City” Posters and Prints here, email me, or ask for help.

The Brooklyn Bridge and the skyscrapers of the lower New York City skyline.

The outline of the city’s memory rests in dreams so delicate they are paper thin and creased by time. 

As hope escapes from excited utterances of urban dreamers, it etches itself into every structure: a permanent impression emblazoned on the cityscape secured in the vault of eternity.


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View this photo larger and on black on my Google Plus page

—-

Buy “Creased by Time - The Brooklyn Bridge and the New York City Skyline” Posters and Prints here, email me, or ask for help.

The Brooklyn Bridge and the skyscrapers of the lower New York City skyline.

The outline of the city’s memory rests in dreams so delicate they are paper thin and creased by time.

As hope escapes from excited utterances of urban dreamers, it etches itself into every structure: a permanent impression emblazoned on the cityscape secured in the vault of eternity.

—-

View this photo larger and on black on my Google Plus page

—-

Buy “Creased by Time - The Brooklyn Bridge and the New York City Skyline” Posters and Prints here, email me, or ask for help.

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